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The future of comic book heroes rests on X-Men

By STEVE PERSALL, Times Film Critic

© St. Petersburg Times, published July 14, 2000


Look, up on the screen! It's a bird! It's a plane! It's . . .

. . . just about any superhero who has saved the planet from the pages of a comic book.

The movies have loved the idea for a half-century, from 1940s serials starring Batman to today's release of X-Men.

Easy to see why. Comic books help to build a child's reading skills and sense of imagination. If that child grows up to be a filmmaker, caped crusaders battling archvillains can be an irresistibly nostalgic topic. Superheroes are also good excuses for pushing film technology to another level. Special effects are always a grabber for audiences.

That is, unless you're Judge Dredd, Barb Wire or Tank Girl.

Those flops, plus the red ink hemorrhaged by Batman and Robin, made studios as wary of comic-book movie projects as Superman is of Kryptonite. There are plenty of superheroes on back burners in Hollywood, waiting to see how audiences respond to the $75-million X-Men.

A few films based on comic books are in the can. Several others are still on the drawing boards. Box office results for X-Men will influence their advertising budgets, how many screens are booked or even whether some projects will proceed. Call it the X factor. Studios call it business as usual.

Professor X and his mutant crew have the fate of the world -- and perhaps a few movie franchises -- in their hands. These superheroes could be coming sooner or later to a theater near you:

MOVIES THAT MOVE - Margaret Murray's monthly series of buried film treasures continues Monday with an unusual presentation.

The Cabinet of Dr. Caligari, a 1920 silent milestone in horror filmmaking, will be screened at Globe Coffee Lounge, 532 First Ave. N in St. Petersburg. Show time is 8 p.m. Admission is $5.

Robert Weine's surreal camera angles, lighting and set design are prime examples of German Expressionism that continues to influence American filmmakers. The plot, involving murder, deception and a creepy asylum, contains images that can be traced through films ranging from Citizen Kane to Battlefield Earth.

The restored 16mm print will be accompanied by an original score composed and performed by Jon Todd, a Jacksonville trio that recently completed a southwestern U.S. tour with Stereolab and Mouse on Mars. Something different from the usual Wurlitzer organ background music for silent films.

For more information, contact Murray at (727) 381-4894 or murraymargaret@hotmail.com.

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